On a quiet side street just off Bozeman’s main drag, there is a little studio where the magic happens. The area feels like a great place for a dentist office or attorney, but, in fact, this is the workspace for Sam Ferraro, a local craftsman of fine jewelry for over 50 years.
My coworker, Chris and I, met at Sam’s studio on a cold and cloudy January morning with snow in the forecast. We walked past Sam’s old white pickup and walked in the door of the studio without knocking. Gabe, a wiggly spaniel wearing a little red harness, whose nub of a tail vibrated more than it wagged, greeted us as soon as we walked in.
Sam Ferraro emerged out of the back room, coat and black hat in his hands. He wore cowboy boots layered under Wrangler jeans, shirt tucked in. He hitched his outerwear on a hook by the door and we shook hands. This was our first time meeting.
I’ve been thinking about this conversation with Sam for a few weeks now. There’s not much to be found about his work or personal life. All I could learn in my research is that he has been crafting fine jewelry since the early 1970s. As a young artist myself, I had some questions. How does someone stay creative during a lifelong career like Sam has? What is it like to merge your creative passion with your livelihood? How do you strike a balance between being your own boss and being an artist?
Sam gave us the tour of his two room studio, which he likens to a miniature blacksmith shop. We could see why: hammers of various sizes waited on a handmade workbench with an array of pliers, dust masks and dental picks rested next to a small anvil bolted to a log round.
Standing in Sam’s studio, where he spends the majority of his waking hours crafting beautiful pendants, earrings, and custom wedding rings, I felt that we might gain some insights into one man’s exploration of a creative life.
Sam Ferraro is an archetypal character of the American West. Growing up on a ranch in Colorado, Sam’s father was a hardrock miner deep in the Rockies. Sam spent his summers mending fence and working the mines, thus beginning a lifelong relationship and passion for the west from the Rockies of Colorado up to the Yellowstone.
As I explore my own connection to the Greater Yellowstone, I recognize how deeply this landscape penetrates the hearts and minds of the people who choose to live here. Even the physical demeanor of Sam embodies this; his black brimmed hat and his old timey handlebar mustache would put him right at home in the subsistence mines in the high reaches of Emigrant Gulch 150 years ago.
Sam has been a vendor with Montana Gift Corral since the first years of the company, making him a Legacy Vendor. It seems fitting to me that one of our longest standing artist partnerships brought metalsmithing back to 237 E. Main Street during the first years of the company.
Sam’s childhood of growing up outdoors led to his study of biology in college. After he graduated, he went off to work the turquoise mines in Nevada. He explained to us that once you strike a vein of the fragile teal gems, heavy explosives and machinery cannot be used, as they would fracture and damage the minerals. Instead, the only way to handle turquoise veins is with a strong back and pick and shovel. Even at a young age, Sam managed to get his hands on some of the gems - turquoise, Yogo sapphire, diamond, ruby, the list is endless - that he would spend the greater part of his lifetime working with.
Such labor is young man’s work, and after his time at the mines he moved up to Bozeman in the 1960s, where he has called the Greater Yellowstone home ever since. It was during this chapter that Sam crafted his first piece of jewelry, a replacement wedding band for his father, cast in 18 karat gold. With his first project completed, Sam continued teaching himself the techniques used in fine metalworking: how to set gems in a ring, making molds and the logging the final hours of hand finishing each piece.
Talking with Sam, he noted that while there are specific processes and temperature settings for working with varying precious metals, the rest of the jewelry-making journey is an act of creativity.
“You can take classes on the processes, but there is no one who can teach you how to sculpt what is in your mind.”
While artists may use similar techniques and processes, it is the design of what you choose to make, and the actual act of following through with the making, that makes each Sam Ferraro piece a unique work of art.
We’re glad for that, Sam.
Special thanks to Sam Ferraro for taking the time to visit with us, and for his commitment to Montana Gift Corral for nearly 25 years.
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